The second technique learned during our painting session was the ‘dry-on-wet' technique. As aptly put by Mr Joseph, this technique would test our courage, since the wet paint would now be applied on to dry paper, leaving less room for error. Unlike the previous technique, ‘dry-on-wet' painting is better suited for creating vibrancy and pigmentation.
Painting with the ‘dry-on-wet' technique gave us more control over the placement of our colours, helping us create more distinct tones of light and shadow in our artwork. Each pop of colour added was reminiscent of the popping of ikura in your mouth.
Even though watercolour painting is an activity which can sometimes be considered unforgiving, Mr Joseph was encouraging as always, offering tips and critiques to elevate our artwork in a jovial manner.